By Michael Avon Oeming, Bryan J. L. Glass
86 volts. That's all this little powerhouse must spring to existence. 86 volts of natural strength to perk her up and wake the lifeless. who's 86 Volts? the place does she come from? What does she wish? those questions result in stunning solutions, yet don't inform 86, simply because she is aware even lower than you do. She awakes in a global of desires from a few prior unknown experience that left her useless upon a headstone watching for a bolt of lightning to deliver her again to life.
What will occur while little 86 throws down and mixes it up opposed to a witch and her evil fetus? whilst black technological know-how and white magic conflict in a religious free-for-all, the single result's natural chaos.
Teaming up once more following their novel QUIXOTE, author BRYAN J.L. GLASS and artist MICHAEL AVON OEMING have concocted one super-charged little fairy story that leaves not anyone status following its no-holds-barred, knock-down, drag-out brawl of the residing lifeless. This 56-page one-shot is chock choked with motion, poetry, darkness and redemption. What extra might you ask for?
Make definite your batteries are absolutely charged (and your useless are appropriately buried) sooner than interpreting this factor of utter mayhem and enjoyable.
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Additional info for 86 Voltz: The Dead Girl
Then the key turned and the metal door swung open. --3-- The girl crouched in the middle of a padded room. The restraint jacket that pinned her arms over her chest seemed to swallow her slender, boyish frame. Her black hair hung down far enough that Jess could not get a good look at her features. If Sarah heard the door open, she gave no sign. Her breathing came slow and deep. A thin line of spittle hung trembling from a strand of hair to the floor. Jess stopped just inside the door and listened as it swung shut behind her.
There are precautions that must be taken in regards to her safety and that of those who work around her. " "I'm curious, Doctor. " "To show you that not all of our guests are so severely restricted. " "It's important that they not sense your discomfort. " The elevator doors opened onto another world. Heavy cinder block walls and bare concrete floors met them as they stepped from the elevator into a narrow rectangular room. The overhead lighting was bright and unwavering, but it was the shadows Jess noticed.
Obviously Sarah was in a catatonic state, but that did not mean she had always been that way, or that she would not come out of it again. Studies indicated that catatonics were often aware of their surroundings and simply unable to respond. Jess had to believe the girl was listening, that whatever barrier she had erected in her mind did not entirely cut her off from the world. After a few minutes of note-taking on her observations of the surroundings and Sarah's condition, she risked a glance, saw that the girl had not moved.
86 Voltz: The Dead Girl by Michael Avon Oeming, Bryan J. L. Glass